Products by Selhamin
| Dry Clay, Selhamin, Red, Dry Cone Poliment, 5kg 3355D-5K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| WET - SELHAMIN - YELLOW, PREMIXED Poliment 1kg GER 3360P-K • Kilogram • Germany
Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution.
Standard Bole Mixing Ingredients:
60% - Selhamin Premixed Clay.
37% - Water
2.5% - Rabbit skin solution.
Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions. Add to Quote Basket |
| Dry Clay, Selhamin, Red, Dry Cone Poliment, 1kg 3355D-K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Black, Dry Cone Poliment, 1kg 3370D-K • 1 Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Grey, Dry Cone Poliment, 5kg 3375D-5K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| WET - SELHAMIN - RED, PREMIXED Poliment 1kg GER 3355P-K • Kilogram • Germany
Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution.
Standard Bole Mixing Ingredients:
60% - Selhamin Premixed Clay.
37% - Water
2.5% - Rabbit skin solution.
Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions. Add to Quote Basket |
| Dry Clay, Selhamin, White, Dry Cone Poliment, 5kg 3380D-5K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Wet Selhamin Premixed Clay, White 3380P-K • Kilogram • Germany
Selhamin Premix is already prepared into a paste eliminating the need to crush and dissolve Dry Clay, making it easier for gilders who mix their own bole solution.
Standard Bole Mixing Ingredients:
60% - Selhamin Premixed Clay.
37% - Water
2.5% - Rabbit skin solution.
Coverage for this product is dependent on the thickness of application per layer, the ratio between water and Poliment and environmental conditions. Add to Quote Basket |
| Dry Clay, Selhamin, Latium Blue, Dry Cone, 5kg 3365D-5K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Latium Blue, Dry Cone, 1kg 3365D-K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Grey, Dry Cone Poliment, 1kg 3375D-K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Amalfi Blue Dry Cone, 1kg 3390D-K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Amalfi Blue Dry Cone, 5kg 3390D-5K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, Black, Dry Cone Poliment, 5kg 3370D-5K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
| Dry Clay, Selhamin, White, Dry Cone Poliment, 1kg 3380D-K • Kilogram • Germany
Traditional Dry Cone Burnishing Clay must be crushed and mixed with distilled water and rabbit skin glue to make a bole paste, which is later applied to a gesso prepared surface to form an even base for burnishing/polishing Gold and Silver leaf. Add to Quote Basket |
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